“I see my mom’s old house in Street View on Google Maps, the house where I grew up. It reads ‘Image Captured May 2009’. There is a light in his bedroom. It’s still his home, he’s still alive, I’m still getting on the train to Bodmin Parkway every few months…” In 2021, a Twitter user penned a touching note to grieve his mother. started a discussion on how Google Maps Street View, the departed loved ones were still hanging out with, some gardening, some taking their dogs for walks.According to a report in Vox, if any Street View scrolls down the aisles and uses the Time Travel feature, they can find photos of their loved ones eternally frozen by the Google Camera saved in Google Maps.
I see my mother’s old house in street view on Google Maps, the house where I grew up. It reads ‘Image Captured May 2009’. There is a light in his bedroom. It’s still his home, he’s still alive, I’m still getting on the train to Bodmin Parkway every few months, —Sherri Turner (@STurner4077) June 16, 2021
This is around 2009. My son is now 23, he holds our beautiful Doberman, Floyd, who broke our hearts after he died, the best dog ever. With us is our wonderful (then) 90-year-old neighbor who lived to be 95. How many memories pic.twitter.com/uBHTmUgLNI— (@nikkiloumaz) June 17, 2021
On Facebook, Twitter, Instagram, we inadvertently leave behind a legacy crafted in extraordinarily clear details that remain forever, pixelated in our personal histories long after we’re gone. As of the second quarter of 2020, Facebook and the Facebook-owned platform had around 10 million to 30 million dead users, as reported by Medium.com. This means that about 1% of all Facebook users were dead. There is a certain theory, although it may not have a verifiable mathematical basis, that proposes that by 2065, the number of dead will exceed the number of people alive on Facebook. This hypothesis can be read on a website called “What If”.
We have a strange love for the departed: even if we do not know them, we can feel a distant semi-affection. You may come across a memorable Facebook profile and realize that someone has turned off the lights even though no one else was in the room, but the matter is more complicated and quite upsetting for the people who lived them. knew. Do they let go or stop: obsessively going through photographs, trying to catch a glimpse of inner lives that are now uninhabited, or do they think the only way out is to let go of grief?
Prarthana Jaiswal (name changed), a graduate student, had lost her father barely a few days back. His Facebook profile is ready and he hasn’t made it memorable. She always knows his password. “I open it occasionally, and check the notifications. It’s weird,” she says. “I still tag them in family photos like I used to. Only now, I know that there will be no more cute comments from his side than before. His WhatsApp account is also maintained. I check our conversation. And I know I’ll never get a reply in that chat box again. Only if I could get an answer from him… how cool would that be.” Jaiswal says that, as of now, she is leaning towards keeping all of her father’s profiles active so that people can remember him.
Journalist Rishabh Bhatnagar, who lost his mother five years ago, said he didn’t think much about why he was memorializing her Facebook account. “Now, with the benefit of vision, I think that’s cool. It limits the amount of notifications, friend requests, and other things that come on her account. So it was mostly for me.” He is not completely comfortable with the account or the pictures posted there. “It affects me. I’m not very comfortable with it yet,” he adds. Bhatnagar thinks maintaining profiles of dead individuals may be a good way to remember them, but she’s not sure how true this is in the “era of shi* posting,” when one’s social media profiles are scarce. Ho. An accurate representation of who they were.
On the other hand, Abhishek Roy, who works at Amazon India, feels a whole lot more comfortable, even- with living with the profile of a late friend. They went to school together in Kolkata, and last year their friend died by suicide. His Facebook profile soon became a memorial, with friends and classmates, close or not, expressing their shock, or recounting the memories they shared, or simply writing, “Come back. ” or “I miss you.” While this may have become a nuisance for immediate family, it was not for friends who might not have been so severely affected. For them, it was a way to feel closer to someone who had passed away. Roy said, “It’s the only way to keep some part of him among us. Along with sharing his favorite memories with everyone on my Facebook profile, I got to know many stories I didn’t know before.” His warmest memory of Roy with his friend later included boarding the school bus, riding in a muffler and monkey cap, something that earned him the nickname of the bus’s resident grandfather.
For journalist Sonal Sharma (name changed), her estranged friend’s personal Instagram account is yet another reminder that they were out of each other’s lives in the days that followed. Sharma also finds herself in a similar situation regarding her cousin whom she lost in a road accident. His profile on Instagram was made memorable. For him, it is sometimes comfort and sometimes not. In those moments when she realizes there is no other way to meet her, she is glad that the profile, her pictures are still up. Other times, it’s just more of a reminder that there really isn’t any other way to reach him.
Jean Baudrillard’s discussion of simulation and simulacra has never been more relevant than in 2022, with a rapidly growing NFT and metaverse culture. In the simplest terms, while a simile is an imitation of a real thing, a simulacra is a symbol representing something that no longer exists, or that never had its beginnings. For example, an NFT can arguably exist entirely in what Baudrillard called pure simulacrum, where even the pretense of reality is no longer needed. So, what are the profiles of dead persons – simulation or simulacra? Did these virtual spaces mean anything in the first place? If yes, are they still there? The light of some stars reaches us long after they are gone, and we live and die inside it. In the end, Jay Gatsby followed a green light to Daisy’s field, and maybe that’s what humans will always do: continue in pursuit of whatever shines, even if from an empty room.
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