The first part of the fifth part of “Money Heist” or “La Casa de Papel” has finally arrived, offering a mold-breaking mix of betrayals, battle scenes, plot twists and more.
At 12.30 p.m. on September 3, it seemed like everyone was looking to slate their Netflix web page or app with the iconic red jumpsuit and Salvador Dali mask, marking the arrival of the new and final season. la casa de papelle, aka money heist.
The fourth part of the crime-drama series left us on a depressing cliff-hanger—what seems to be an unbelievable habit. money heistauthors of. Former Inspector Alicia Sierra (Najwa Nimri) infiltrates the Professor’s (अलlvaro Morte) hideout and holds him at gunpoint. Meanwhile, the armed forces prepare to storm Spain’s royal mint.
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Leading into part five, all odds are in Sierra’s favor as she plays a dangerous game of either using the Professor as a mouthpiece to control her crew or hanging her from a chain over sewage water. Meanwhile, at the bank, a furious Arturo (Enrique Arce) plans to take Denver (Jaime Llorente) and Stockholm (Esther Acebo) with a violent coup. Outside, the furious Colonel Luis Tamayo (Fernando Cayo) serves as the bureaucratic picture, only too happy to go to any lengths to make himself look good.
a new legacy
As the fifth part gears up, actor and producer Alex Pina is sure to take on the new challenges that lie ahead of him.
Sierra, who was removed from her post as part four, is beyond unhinged and Nimri makes a good closed fist of her role as a reckless and vengeful cop. Sierra has been one of my favorite new characters in Parts Three and Four, as she takes a now-hardened approach to what makes the Professor’s life difficult.
Corbero continues to give us more Tokyo in which to enjoy. While we all love Tokyo for its trademark cool rage, we love Celine (her real name) as more of her backstory is revealed. Viewers may either be disappointed or calm by being in these scenes, but they add a welcome dimension to Tokyo. The fact that an entire episode was devoted to Tokyo’s past was troubling to me because we know very well what that means in the world of TV. Tokyo is still a badass, as we see her clash with the sadistic Gianda (Jose Manuel Poga) who killed Nairobi (Alba Flores); His vengeance towards him had made me smile through some very faint tears.
The yin-yang nature of the Professor’s self-control—most notable when Sierra shoots him in the foot and he doesn’t react much with annoyance—and quiet aggression have made him one of the most incredible people on television. Everything about his personality sets him up for success. While the Professor aims to convey control, Morte also embodies an interesting conflict between the Protector and the plan executor.
One of the most meaningful arcs in the series is trans-woman Julia (Belén Cuesta); His journey from a young boy in a small town to reconnection with his pre-rejected father. Julia does whatever she can to protect those in need, whether it’s calming Denver during an attack or telling Stockholm what it means to be a loving parent. While Tokyo is the series’ unreliable narrator, Julia is the voice of love and reason; She works even in the most unfavorable moments without being compelled.
For a long time I could not stand Stockholm. She started out as a bumbling mistress for Arturo, who seemed to live up to the name of her city as she fell for Denver and became part of the crew. I couldn’t see anything other than his initial conditions. but one-fifth of money heist Delves deep into the emotional challenges of Stockholm as a new mother who must protect her crew from the father of her child. Her fight against Arturo left her with a troubled conscience and a lot of PTSD, and Esther Acebo pushed the envelope here to make sure Stockholm left her mark on the audience.
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The fifth takes place between the setting of a heist and the terminally ill and newly-wed Berlin (Pedro Alonso) recruiting his son Rafael (Patrick Criado), a cybersecurity expert. The 31-year-old MIT alum is reluctantly involved in his father’s life of crime and he proves to be a formidable rival to Berlin in some circumstances, but viewers can say Rafael craves his father’s love and approval. While it may sound casual, we all know that Berlin still lets her sociopathic tendencies shine through.
our decision
one-fifth of money heist Lives up to the urgency through fight sequences that are fun-to-watch combinations of krav maga and street-style fighting. The series, from start to finish, spares no expense on these artful fight sequences and they are so convincing, viewers may feel some bizarre pain for their beloved bank robbers.
In five episodes, Pina directs the fifth part with the uncanny wind of a filmmaker who doesn’t want to waste any time on embellishments that have no connection to the series’ core. in central relations money heist Are far from planned, exploring platonic friendships, unrequited love, former romances and easily harsh break-ups. Pina is a fine example of a director and producer who makes full use of the talent at his disposal and makes sure that every scene – no matter how subtle it sounds – counts; Be it army leader Sagasta (Jose Manuel Seda), who makes Gianda look like a puppy, the charismatic Palermo (Rodrigo de la Serna) still far from his rocker, or the sweetness of Rio (Miguel Herrán).
There have rarely been shows where almost every character leaves their mark on the audience, and money heist It does so in spades. Part 5 Volume 1 will have you glued to the screen with a heart in your neck while you wait till December 5 for the second volume, which will complete the series. If you, like me, watch Volume 1 in a single sitting, chances are you’re “To Nairobi!” Watching it again while crying.
PART FIVE SECTION 1 Money Heist / La Casa de Papelle streaming on netflix
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